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It is said that the experiments were administered to understand why so many South Asians suffered from anaemia.
That’s undeniable from the film - the exaggerated action, the silliness of the dramatics, the aesthetics and adornments are all brought from someone who admired Bollywood
There is always an underlying connotation for any action I make even tenuously perceived to be connected to queerness.
“The trans existence is a direct challenge to the patriarchal way of thinking”, Sadiq tells me when I ask about why having trans characters is important to him.
All I was watching was European and American, focusing on the white experience I almost got fatigued wondering where we are in all this.
…the brown aunties spreading gossip are not creating these archaic standards for young women – they are merely exercising an ideology which has strictly been enforced unto them.
“This project was created out of frustration from the lack of representation of South Asians from an authentic perspective within publications and gallery spaces”
Anyone trying to tell the story of Noor Inayat Khan would face the challenge of what parts of the story to tell and what to leave out.
Frequently under-reported, Muslim teen girls and Kurdish women are the ones who have been showing up and organising direct action under threat of violence, alienation or death for years.
Instead of being fuelled by the fact that I was the first South Asian broadcaster to present on a daytime slot on BBC Radio 1Xtra, I instead kept hearing a voice say “do you actually belong here?”
My queerness became a performance, so my culture could be silenced into acceptance. I learnt that was happening when it was over. Although I have shame, I don’t have regret. I’ve since understood what happened and what I really need.
Accents surround me. People look at me as I speak and stare. In a room full of white people, I feel like my “acha” and “teek” and “hai!” are questioned. I speak in my tongue and in mums, both are foreign and offer intrigue.
I am asexual, a person who is not attracted to anyone sexually, because that has been my nature since birth. I am sex aversive because of the negative experiences I’ve had with my consent being ignored.
The delicate issues surrounding race, class and heritage that marinated over the following years became central to her expression and is the subject of the long-anticipated third album 'Let My Country Awake'.
It’s set in 2019, but it’s extraordinary to come back to it now in this world and see how important everything in the play still is and how urgently this conversation still needs to happen.
As South Asian people, we must reflect on our prejudices and ask ourselves how we can start dismantling anti-Blackness in the community, the media, healthcare settings and other spaces we occupy.
Upon hearing of Modi’s government’s handling of the protestors, I was reminded of the treatment of Indians, particularly Indian farmers, under British colonial rule, and I am not alone in this sentiment.
I spoke to Bisha about this work specifically – as someone who has and is continuing to do amazing work in an industry that feels gatekept and elitist, she’s letting others know that they can and should be in the same room she’s in.
As the sole representative of the team abroad, [Bala Devi] currently represents a big step forward for the women’s game in India, and for the profile of Indian players on the international stage.
Decolonising science is important to move forwards, for Western scientists to recognise the racism within their work, and to allow formerly colonised countries to trust in practices again.
The excitement from the first few days wore off when my responsibilities included running to three different supermarkets to purchase a very specific bar of chocolate for the boss, lugging bags of ice down flashy streets of London to stock up the office freezer.
I watched my own mother settle in to watch this portrayal of Princess Diana with the same intensity that my grandmother afforded to Indian serials.
Our western, phallocentric society’s idea of ‘natural body hair’ basically means being ‘bald from the eyebrows down’, and that has been reinforced deeply and broadly, on a conscious and a subconscious level.
Not only has Masaba struggled with her Black Caribbean identity in India, but struggled with the fact that Neena raised her as a single mother in the public eye.
Shiuli Bhattacharyya came in 1st place in Burnt Roti’s 2020 short fiction story competition.
By preying on the insecurity of dark-skinned girls and boys, cosmetics brands make over $450 million annually in sales in India, and globally the skin lightening industry is worth between $10- 20 billion.
Interviews
That’s undeniable from the film - the exaggerated action, the silliness of the dramatics, the aesthetics and adornments are all brought from someone who admired Bollywood
“The trans existence is a direct challenge to the patriarchal way of thinking”, Sadiq tells me when I ask about why having trans characters is important to him.
“This project was created out of frustration from the lack of representation of South Asians from an authentic perspective within publications and gallery spaces”
The delicate issues surrounding race, class and heritage that marinated over the following years became central to her expression and is the subject of the long-anticipated third album 'Let My Country Awake'.
It’s set in 2019, but it’s extraordinary to come back to it now in this world and see how important everything in the play still is and how urgently this conversation still needs to happen.
I spoke to Bisha about this work specifically – as someone who has and is continuing to do amazing work in an industry that feels gatekept and elitist, she’s letting others know that they can and should be in the same room she’s in.
“I was standing in the lift and my boss very casually asked me what I was doing in the next few days. I said something like admin stuff and laundry. He then asked ‘how would you like to go to Pakistan?’ Within seconds, I said yes.”
wasn’t aware of any other work she did until I came across a new song she released called ‘Dark’. It speaks to the deep rooted issue of colourism in South Asian communities.
South Asian characters are often the least dynamic ones in our media and I was frustrated by those portrayals when I know our people to be vibrant, smart, complicated, messy, and well...human.
We’ve been so economically insecure for so long that we’ve got a survival mindset etched into our psyches. This makes us tribal in ways that fuels other-ing along these lines of class, caste, gender, sexuality. It also sanctions a great deal of in-group policing.
This show allows us to give the voice back to women, but the overwhelming voice is from the police force. Are we humanising a particularly corrupt police force for any reason other than storytelling?
It’s important to celebrate them when we can, with our own success and the turning clock of generations – we can still and absolutely always should be looking back.
I recently did a radio show, and at the end of the show, the presenter said to me ‘I really enjoyed that, we should really get you in again and make you do non Indian roles’.
In Bradford, a city which recently hosted the third Women of the World (WOW) Bradford festival that celebrates women and young girls and takes a frank look at the obstacles they face.
Mim Shaikh is a BBC Radio broadcaster, actor, spoken word artist. With his recent debut documentary Finding Dad on BBC Three, and his latest role in the BBC TV Drama Informer.
Sharmeen is an Academy Award and an Emmy Award winning documentary filmmaker. Her most recent work includes documentary features Song of Lahore and A Journey of a Thousand Miles: Peacekeepers.
At work I’m someone else, at my aunties I’m someone else, with my boys I’m someone else, like you have to be so many different people to please so many people, whilst trying to figure out what exactly who you are or where you belong as an individual.
We speak to MS Karamat about her international project ‘Fear and Memory’, where the central theme of the project is based around fear from perceptions on terrorism.
#RepresentAsian is a series by Nosheen M, where she speaks to experts in their field, about how they got to where they are.
Reeta talks to our favourite food brand Natco about the work they’re doing - that you may not be aware of.
Images we see shape our world, and have the potential to create fundamental changes in our belief and ideology.
These first steps were really important for us to establish the ethos of the group, namely one that was as diverse as possible and didn’t just showcase fair-skinned, North Indian, Muslim and Hindu women.
we speak to some of the BOBBA artists to see what they're doing now and what the exhibition meant to them.
The section of the photography exhibit documenting the fight for independence and the struggle of partition is particularly striking.
The photo series features women from diverse industries, with a desire to transform and disrupt the restrictive narratives of the Muslim woman.
As designers their responsibility is in their trade, to challenge the expectations of an industry steeped in capitalist and colonial mindset.
it's a very visceral image, bringing the elegance of a rose and the ugliness of the Jihadi narrative. So what if we could bring some humanity back to that word?
The older I get, the more I realise how lost I was and am as a kid of the diaspora.
"Never be afraid to speak up. Confidence and honesty is key, be confident and honest in what you speak on."
On the heels of the sets of Hawaii Five-0 and Prison Break, Burnt Roti talk family, stereotypes and all things acting with Faran Tahir.
LGBTQ+
Being a Director means I am settled here in Middlesex but I’m not settling.
There is always an underlying connotation for any action I make even tenuously perceived to be connected to queerness.
“The trans existence is a direct challenge to the patriarchal way of thinking”, Sadiq tells me when I ask about why having trans characters is important to him.
All I was watching was European and American, focusing on the white experience I almost got fatigued wondering where we are in all this.
My queerness became a performance, so my culture could be silenced into acceptance. I learnt that was happening when it was over. Although I have shame, I don’t have regret. I’ve since understood what happened and what I really need.
Mental Health
As we grow up, if boundaries aren’t created or respected by our parents, we can be left unsure about whose needs should take priority in our lives: ours, or theirs.
I know that restricting my food intake for any reason and experiencing the intense hunger that I once viewed as a sign of my worth, brings with it the risk of falling back into old and dangerous habits.
I’m more social than ever. But the blurring of boundaries between home and office and social space and gymnasium and meeting room and café and nursery and school and I’m tired all the time.
South Asian characters are often the least dynamic ones in our media and I was frustrated by those portrayals when I know our people to be vibrant, smart, complicated, messy, and well...human.
We’ve been so economically insecure for so long that we’ve got a survival mindset etched into our psyches. This makes us tribal in ways that fuels other-ing along these lines of class, caste, gender, sexuality. It also sanctions a great deal of in-group policing.
Being a Director means I am settled here in Middlesex but I’m not settling.